5 things to know about Woe by Becky Ninkovic

Credit to Author: Stuart Derdeyn| Date: Thu, 22 Aug 2019 18:00:16 +0000

Woe | Paper Bag Records

When You Say Party! We Say Die! drummer Devon Clifford collapsed on stage in Vancouver in 2010 the punk/dance band were rising stars. After Clifford died from the brain hemorrhage he suffered, the closely-knit band called it quits. Singer Becky Ninkovic felt the loss of her friend profoundly. The press release accompanying the album says she “found herself deep in a mental health crisis triggered by trauma and grief.”

Her debut solo release, Woe, is a collection of 10 tunes that have been in the making for a long time.

From dealing with losses to becoming a parent, the songs on the record weren’t really produced with an album release as the goal. But music has a way of healing and artists have a need to share, so now the album is available to all to enjoy. It’s a very different ride than her earlier band’s work and neither partying or passing appear to have any part in the process.

Here are five things know about Woe:

1: In the Beginning. The opening tune is a deeply moody song with an undulating, sparse beat and whispery, chanted vocal that paints a clear sense of meditation in the lyrics such as Now we lay/Aware of our bodies/Knowledge on our tongue/Awake in the darkness. So, yeah, not exactly a feel good piece but one that fans of later period Siouxsie and the Banshees will certainly appreciate.

2: Therapeutic verses. From declaring that ‘I will not carry your pain anymore’ (The Carrier) to ‘I’m the one you called when no one was at home’ (So Low) and others, there is a true sense of pain pervading the material. You can hear her working through it in each tune as the stark arrangements and big open atmosphere of the production sort of leaves you with the impression that you are listening to someone’s inner thoughts. Very effective and pretty much perfect melancholy rainy day music.

3: The Drums. The song that sounds the most like her old band is this mutant funk groove with its staggered verses and made-for-group singalong chorus. There are some very cool synth drops and a child’s voice that turn up at the end of the song. The next song, Happy Healthy, is a call-and-response between Ninkovic and, presumably her daughter, that has been given an ambient studio sheen.

4: Nordic vibe. About halfway through the record, it occurs that this could fit in nicely with artists such as Bjork, Samaris and other female vocalists with a penchant for Spartan soundscapes and testimonial lyrics. Yes, you could call it more mature pop and there is nothing wrong with that. The video for The Carrier also reinforces the artier side of what the artist is into. It’s a very cool piece.

5: Playing live. Ninkovic is not only back in the business of making and releasing music, she is also getting back into live performing. Her Facebook page says that the Becky Ninkovic Debut Album Release Party! takes place Aug. 24, 8 p.m. at 100 Braid Studios in New Westminster.

Floor Seats EP | Sony

More upbeat trap from the Harlem rapper whose platinum-selling albums have all featured incredibly popular singles that lock in your head. This nine song EP is no different with a couple of obvious winners in the somewhat ridiculous Butt Naked and Drake-y Ride. But the genre is pretty limiting in the end and this could have been a much more EP length release and benefited from it.

Hard Time | Sleepless

This Toronto-born Filipino/French Canadian soul/blues shouter was all set up to become an organic farmer in Prince Edward County, but fortunately started to write music. His debut opens with the knockout punch of Last Night that sounds like a lost Sun Records side from the rockabilly era. And he doesn’t just motor on one gear either, as the slow folk of Amelia or country boogie of Hard Time make clear. Catch him in Vancouver at the Westward Music Festival on Sept. 15 at the Vogue Theatre. Tickets and info at eventbrite.ca.

Red Hearse | Sony

The grouping together of Sam Dew, Jack Antonoff and Sounwave was sure to produce some pretty slick and sexy sounds and the group’s debut doesn’t disappoint. It’s full of the sort of R&B electronica that the airwaves love of late. Chances are they will be embracing songs such as Half Love, with its Prince-like vocal, gated drum beats and funky break. It’s a pretty instant like, but might not hold the test of repeated plays.

Beyond the Door | Merge

Beloved by fans and critically adored, this band — fronted by brothers Jeff and Steven McDonald — deserves credit for longevity alone. But writing gems such as the opener The Party, which could be a missing Sunset Strip-era psychedelic garage pop classic, makes listening to the band’s latest a blast. Where some bands want to get all serious and deep, songs such as Fighting, Punk II or the Question Mark and the Mysterions-style The Party Underground are there to smile and bang your head along to. Covering Sparks When Do I Get to Sing My Way is pretty awesome too. Basically, Redd Kross rocks.

sderdeyn@postmedia.com

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